François Truffaut once said that "Film lovers are sick people." He may have been on to something.
Showing posts with label David O. Russell. Show all posts
Showing posts with label David O. Russell. Show all posts
Saturday, January 11, 2014
Film Review: American Hustle (2013)
There's a scene in David O. Russell's previous film, Silver Linings Playbook, in which all the major figures in Pat Solitano's (Bradley Cooper) life finally collide in one room. His feisty dance partner/love interest, his parents and one of his best friends are all thrown together so that they can hash out their differences, and gradually reach a point from which they can progress to the finale. It's a crucial scene, one that shuffles all the different relationships and fundamentally changes the stakes of the story, but it's also the worst scene in the entire movie; it lacks any particular focus, and feels like the early stages of an improv session in which the actors are trying to find their way to a conclusion. It has plenty of energy, but it's energy that is being fired off in every direction at once.
Thursday, February 21, 2013
Oscar Predictions: The Major Awards
Welcome back. I trust that you're all sitting comfortably and are as uproariously drunk as I am. How anyone could even contemplate making it through an awards ceremony sober is truly beyond me. Anyway, that's not important. What is important, is that we're now down to the final, precious few; the Oscars that most people care about! Without any further ado, let's get to it.
Sunday, January 06, 2013
Film Review: Silver Linings Playbook (2012)
David O. Russell's Silver Linings Playbook, apart from having one of the most pointlessly awkward titles in recent memory, is in effect two separate films. On the one hand, it's a comedy-drama about two very pretty, slightly crazy people coming to know each other and maybe figuring out how to be better together, and on the other, a sports movie in which those characters have to train for a big competition. Neither of those two films is terrible by any means, but they are so clumsily grafted together that it winds up being the cinematic equivalent of a set of shelves that have been built without the use of a spirit level. It functions well enough, but everything is uneven to the detriment of the whole and to no discernible purpose.
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